Horror · Free preview

Vows in the Water

Written by Elias Vance · edited, narrated, and reviewed
Cover art for this story

The voicemail played at 5:55, the same as every morning. Mateo’s voice, nine years old, half-swallowed by the phone’s speaker: “Hi, you’ve reached Marisol and Mateo. Leave a message and we’ll call you back. Bye!” The “bye” had a lift to it, a small upward swing she had heard ten thousand times. Marisol reached for the phone and silenced it before the beep. Her fingers knew the motion. Eighteen months of mornings. The alarm was set to his greeting because she could not stand the thought of waking to anything else.

She dressed in the dark, pulled on the waders, laced the boots. The house smelled of coffee and river silt, the silt from her own clothes hanging by the door. She drank the coffee standing at the sink, looking out at the gray light over the county road. Then she drove to the station.

The river station sat on the west bank of the San Marcos, a cinderblock building with a gauge bolted to the piling. Marisol checked the numbers first, as she did every day. Flow: 412 cubic feet per second. Temperature: 58 degrees. The water had been cold all spring. She wrote the figures in the log, her handwriting small and even.

At the desk she opened her phone. The app icon was still there, a white circle with a blue waveform, the name RE:SONANCE printed underneath. She had not opened it in three weeks. The last time, the voice had said something that made her delete the conversation thread. She did not remember what it was. She remembered only that she had sat in the truck afterward with the engine off and the windows up, listening to the river move past the concrete.

Now she tapped the icon. The app opened to a screen that said “Mateo — 14 voice samples available.” She pressed play.

“Hi, Mamá.”

The voice was his. The synthetic recreation had the same grain, the same slight lisp on the s, the same pause before the second word. Marisol set the phone on the desk and looked at the gauge readout, the black numbers on the white screen.

“The water is cold today,” the voice said.

Her hand stopped on the logbook. She turned the phone over. The screen showed the waveform, a blue line moving across the white field. The app had no access to the gauge. It had no access to the river. The voice was a model trained on fourteen clips, mostly voicemails and a birthday video. “Cold” was not a word Mateo used often. He said frio, sometimes, when he was small, before he learned to prefer English. Agua fria, Mamá. She had not uploaded that.

She checked the gauge again. 58 degrees. Cold by any measure. The voice had said it on the first play of the day, before she had spoken a word into the app.

She told herself it was a deep-learning hallucination. The model had pulled “cold” from a weather context, from a training set somewhere, and attached it to the word “water.” A statistical accident. She closed the app and put the phone in her bag.

The day passed in the usual way: water samples at three sites, a dead softshell turtle on the gravel bar, a call from the county about a discharge permit. At 4:10 she drove home. The phone stayed in her bag. She did not open the app again that night.

The first call came four days later, at 3:47 in the afternoon.

Marisol was at the kitchen table, sorting sample vials into a plastic rack. The phone rang. The screen showed a number she did not recognize, a local area code but no name. She answered.

“Hello?”

“Mamá.”

She set down the vial. The voice was Mateo’s. Not the voicemail greeting, not the birthday video. A new sentence, spoken in his cadence, the slight breath before the second syllable. “I can see the stones.”

“Who is this?”

“The stones are round,” the voice said. “They move when the water pushes.”

Marisol stood up. She walked to the window and looked out at the yard, the fence, the road. The phone pressed against her ear. She could hear the voice breathing, a soft static under the words.

“Mateo is gone,” she said. “I don’t know who you are, but this is not funny.”

“The water is cold, Mamá.” A pause. “The eel came back.”

The line clicked. The call ended.

She called the number back. It rang six times and went to voicemail, a generic greeting in a woman’s voice. She left no message. She sat down at the table and wrote the time and date in her field notebook: 3:47 PM, unknown caller, male child voice, 4 sentences. Then she wrote the river temperature from that morning: 58

The story continues

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