Horror · Free preview

The Empty Chair

Written by Elias Vance · edited, narrated, and reviewed
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The air in the hallway held a temperature of sixty-eight degrees, exactly as the municipal standard dictated, and the smell of floor wax was strong enough to coat the back of the throat with a chemical film that tasted of lemon and formaldehyde. I walked at a measured pace, my heels clicking a rhythm against the linoleum tiles that matched the ticking of the watch on my left wrist, ensuring that I would arrive at the double doors of Courtroom 4B at precisely 08:55 AM. My summons had instructed me to be present for jury selection, a civic duty I accepted with the same quiet efficiency I applied to the archiving of birth and death certificates, finding comfort in the rigid structure of legal procedure. I smoothed the lapel of my charcoal wool coat, checking for lint, and found none, just as I found no deviation in the fluorescent lights that hummed overhead in a frequency designed to induce focus rather than alarm. The hallway was empty of other people, save for a security guard who stood with his back to me at the far end, his posture so still he resembled a cutout placed against the wall. I reached for the brass handle of the door, my palm registering the coldness of the metal, and turned it with a pressure that displaced the air inside the room. The door swung open silently on well-oiled hinges, revealing the interior space bathed in the same flat, shadowless light as the corridor. I stepped across the threshold and closed the door behind me, sealing out the hallway. The room was waiting.

For eleven years I had been the assistant archivist of the county registrar, a title that sounded smaller than the work it described. I filed birth certificates and death certificates into steel drawers arranged by year and by surname, and the job had taught me a particular patience. A birth certificate and a death certificate for the same person were kept apart by a single aluminum divider, and it was my habit to make certain no one ever noticed how close the two drawers came to touching. I ate the same lunch every day — rye bread, boiled ham, one slice of processed cheese, no mustard — on the same bench by the east window, because deciding what to eat struck me as a waste of a resource better spent on the shelves. My mother had died in November, and because the archiving of her certificate had fallen to my desk, I had written her name into the ledger in my own hand, the only time in eleven years my signature had trembled. No one had looked up. No one had noticed. I mention this only because it explains the way I behaved later in the courtroom, and because I had spent a decade learning that the difference between a record and a person was a matter of filing — a distinction I was about to watch the county erase in a single morning.

The silence in the courtroom was heavy, pressed down by the high ceiling and the dark mahogany paneling that absorbed the sound of my breathing. Across the room, the jury box stood on the left, and I had expected to find a scattering of other summoned citizens, perhaps reading newspapers or checking their phones, but the box was full. Twelve chairs were occupied, and the thirteenth chair at the end, usually reserved for an alternate, was also occupied. I stood near the railing at the back of the gallery, letting my eyes adjust to the contrast between the bright lights and the dark wood. The backs of the heads in the jury box were uniform in their stillness, the hair cut in a similar fashion, short at the sides and slightly longer on top, dark brown with flecks of gray at the temples. My own hands were clasped over the handle of my briefcase, the knuckles pale, the skin dry from the winter air. A clerk sat at the desk in front of the judge's bench, a man with thin shoulders and a stoop that made him appear as though he were perpetually reaching for something on the floor. He lifted a sheet of paper from a stack and cleared his throat, the sound sharp and startling against the muffled quiet. He began to read names.

"Arthur Penhaligon," the clerk said, his voice flat and devoid of inflection. I remained still, waiting for the other man in the room to answer, assuming there was a mistake or a shared name in the pool of candidates. A hand went up in the front row of the jury box, the first seat on the left. The movement was precise and economical, the fingers long and the wrist visible where

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