Supernatural Suspense · Free preview

Come Back for the Bones

Written by Elias Vance · edited, narrated, and reviewed
Cover art for this story

The call came at 6:42 a.m., before the heat had settled into the sidewalks. Marisol Vega sat in her county vehicle with the air conditioner blowing at her knuckles and read the dispatch screen twice. Deceased male, seventy-eight, found in a recliner by his wife. No signs of trauma. Address on Calle Rinconada, a street of low stucco houses with gravel yards and ocotillo fences.

She parked behind a Tucson Fire engine and stepped out into air that already smelled of creosote and hot asphalt. The front door stood open. A patrol officer named Ruiz met her at the threshold and handed her the call log. His uniform was pressed, but his face had that look from too many death calls before coffee.

“Wife’s in the kitchen,” he said. “She won’t go back in the living room. Daughter’s with her.”

Marisol pulled on gloves. “Who called it in?”

“Daughter. She came by to bring breakfast. Found him in the chair.”

The living room was dim and cool. A box television sat on a low stand, still tuned to a Spanish-language morning show. The dead man lay back in a brown recliner, his hands folded on his stomach. A crocheted blanket had been pulled up to his chest, then pulled back down by the medics. His mouth hung open a fraction. His skin had that yellow-gray cast that came after the blood stopped moving.

Marisol worked the way she always worked. She photographed the room from four corners. She noted the position of the recliner, the distance from the door, the cup of water on the side table. No spilled pills, no overturned chair, no bruising on the forearms. She checked his fingers for petechiae. She pressed the skin over his sternum and watched the color return slowly. He had been dead six to eight hours.

The wife stood in the kitchen with her daughter. The wife was small, late seventies, wearing a housedress and a pair of men’s slippers. The daughter was maybe fifty, in scrubs with a hospital badge clipped to her hip. Neither looked at Marisol when she walked in.

“I’m the investigator from the medical examiner’s office,” Marisol said. “I need to ask a few questions.”

The daughter nodded. The wife kept her eyes on the kitchen window.

“Did he have any medical conditions?” Marisol asked.

“His heart,” the daughter said. “He had a pacemaker put in four years ago. He saw Dr. Farhadi at the cardiology clinic.”

“Was he sick recently? Any falls, any changes in appetite?”

“He was tired. He said his chest felt heavy last week. But he wouldn’t go in.”

Marisol wrote that down. She asked about medications, about who had seen him last, about what he had eaten the night before. The daughter answered in short, practical sentences. The wife said nothing.

Then the wife spoke. “Did you hear it?”

Marisol stopped writing. “Hear what?”

“Last night. The sweeping.”

The daughter’s hand tightened on her mother’s shoulder. “Mamá, not now.”

“I heard it,” the wife said. “On the porch. Like a broom. Back and forth. I thought it was Elena from next door, but it was too late. Three in the morning.”

Marisol looked at the daughter. The daughter shook her head.

“My mother has been under a lot of stress,” the daughter said. “She doesn’t sleep well.”

“I slept fine,” the wife said. “I heard it. Then this morning there were flowers on the step.”

Marisol followed the wife’s gaze to the back door. Through the screen she could see the small concrete step that led to the yard. Something orange lay scattered across it. Marisol walked over and pushed the screen door open. The heat hit her face.

Marigold petals. Fresh, bright, still damp with dew. They lay in a loose scatter across the step, maybe two dozen of them, no stems, no leaves. She knelt and photographed them with her phone. She looked at the yard. Dirt, a few barrel cacti, a clothesline with a sheet hanging limp. No marigold plants anywhere. No pot, no planter, no neighbor’s garden close enough to drop petals over the fence.

She went back inside. “Do you have marigolds in the house?”

The wife shook her head. “I never bought them. They’re for the dead.”

Marisol had heard that before. Marigolds on the ofrenda, the altar for the dead. In Tucson, you saw them in the grocery stores every October, bundled in cellophane, their scent sharp and bitter. But it was August.

“Did anyone come to the house last night?” she asked.

“No one,” the daughter said.

Marisol documented everything. She wrote down the wife’s statement, word for word, including the part about the sweeping. She noted the absence of marigold plants on the property. She took a sample of the petals and

The story continues

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